| Return to Sub-Professions >> |
Farah Abushwesha
|
|
Latest Credit: Late Bloomers
|
|
|
Farah has worked for companies such as The Bureau, Celador, Film4 & Warp X And has a good knowledge of Movie Magic- Schedule & Budget, Final Draft, Project, Access...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Susannah Binding
|
|
Latest Credit: Bonekickers
|
|
|
Susannah is experienced in all aspects of film & TV production from 35mm shorts & features 16mm, HD & multi episodic dramas and with live gallery productions S...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Sarah Kitty Campbell
|
|
Latest Credit: Victoria Cross Heroes
|
|
|
Feature Films, TV Drama, Drama Docs & Commercials, EP Scheduling & budgeting from £20,000 to £15 million budgets Script Development, production & financial struct...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Peter Chadwick
|
|
|
Production Manager
Member of the Guild of Location Managers Lead Location Manager for over 20 years Filmed extensively throughout ...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Cara Cheeseman
|
|
|
Cara is a very experienced, likeable and highly motivated Production Coordinator and more recently; Production Manager who has had the opportunity to work on many hig...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Martin Coates
|
|
|
(Production Manager & 1st AD)
Martin wears 3 caps: Line Producers, Production Manager & 1st AD He has worked on some very prestigious ...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Victoria Dabbs
|
|
Latest credit: This September
|
|
|
Full driving licence Conversational French Member of Production Guild BBC Drama Co-ordinators Course Final Draft / SAP / EP Budgeting & Scheduling
2001...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Rosalind Davidson
|
|
Latest credit The Bangladesh Project |
|
|
Ros's experience stems from highbrow television drama in both film & tape and long-running series and sitcoms Movie Magic & Final Draft Spoken French
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Ian Dray
|
|
|
Ian has an impressive list of credits and has a formidable ‘can do’ attitude that has been honed by his work on a wide range of projects and budgets. Good German ...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
David Finnigan
|
|
Latest credit: The IT Crowd
|
|
|
MA Film & Moving Image Production at Leeds Metropolitan University
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Victoria Goodall
|
|
Latest Credit: Late Bloomers
|
|
|
Fluent French and Italian, basic Spanish EP budgeting and scheduling US work permit and Australian passport Experienced 35mm, DV and Digi Beta
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Dewi Griffiths
|
|
Latest Credit: Summer Scar's
|
|
|
Twenty five years experience on feature films & TV dramas working in the UK & Worldwide
Full UK Passport & Driving Licence. Own transport. Affiliations...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Robert How
|
|
|
Experienced Feature Films / Film Drama for TV / Commercials Worked on films of budget from £1.5 to £16.5 million Computer Literate inc. Movie Magic - own laptop...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Dic Jones
|
|
Latest Credit: Childs Christmas in Wales BBC 4
|
|
|
Dic has good experience in dramas on 35mm, 16mm and tape as well as drama series and LE He was head of drama Production at ITV for 8 years until it closed earlier this...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Hannah Judah
|
|
|
BAFTA & Production Guild member Experienced at EP/Movie Magic Budgeting & Scheduling, Showbiz Budgeting and Final Draft software Experience working with overseas cr...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Lolli Kimpton
|
|
Latest Credit: Nuclear Race
|
|
|
Feature Films (Bondable) / TV Drama Movie Magic Scheduling & Budgeting Shot UK / Greece / Spain Experience in low, medium and high budget productions
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Des Martin
|
|
|
Line Producer/Production Manager
Movie Magic Scheduling and Budgeting
Has worked extensively in UK & Ireland
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Chris Martin
|
|
Latest Credit: London Dreams
|
|
|
Chris has made a very sucessful transition from location manager to production management and Line Producer culminating in delivering one of the biggest Indian fi...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Greg McManus
|
|
|
Greg is Production Manager & Line Producer with good experience of Low Budget features He also has experience in commercials and with working with well known TV compan...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Paul Munn
|
|
Latest Credit: Quick Slip Me A Bride
|
|
|
Feature Films / TV Drama / Commercials Has worked in the UK, Ireland, Europe and North America Member of the Production Guild of Great Britain
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Carolyn Parry Jones
|
|
|
Movie Experience - budgeting and Scheduling
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Livia Rao
|
|
Latest Credit: Naked Before the World
|
|
|
Livia has experience working both overseas and extensively around the UK Working on budgets from £1.5 to £12 Million She is known for her can-do attitude
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Caroline Richards
|
|
|
Caroline has worked worldwide on both Feaure Films and TV Dramas She is fully conversant with Movie Magic Scheduling and has a working knowledge of French She h...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Paul Sarony
|
|
|
Well known to both Film Finances & IFG Bond Companies Board Member of The Production Guild, BAFTA and Equity Skillset 100 Tutor; Guest Tutor at National Film & TV S...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Ian D. Tootle
|
|
Latest Credit: My Almost Famous Family
|
|
|
Extensive experience in drama, comedy, entertainment and factual entertainment genres. Familiar with S16mm, Digibeta and HD formats as well as live and recorded muti-c...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|
Nicholas Wade
|
|
Latest Credit: The Doctor Who Hears Voices
|
|
|
& Production Manager
Nick has good working knowledge of EP Scheduling & EP Budgeting Bases in London, Manchester & South Wale...
|
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
|